SESSION DISCOGRAPHY * ALBUMS DISCOGRAPHY * SINGLES DISCOGRAPHY

Country and crossover since 1920s and my favorite artists of all genres too...
Any help welcome!
hillbilly@centrum.cz
praguefrank@seznam.cz

Continuation of the blog on address

http://countrydiscoghraphy2.blogspot.cz/



Saturday, March 5, 2011

Dick Dyson

2nd version 
by Mario Manciotti, Praguefrank, Michel Ruppli, Steve Hathaway (using booklet of Hillbilly HBR-025), Murray Kirch, Mario Manciotti
SESSIONS


1947 Sellers Co. Studio, 2102 Jackson St., Dallas, TX – Dick Dyson and The Blue Bonnet Boys (Johnnie Pearson [vcl])
001 IT’S A SHAME Bluebonnet 116/Hillbilly Researcher HBR-025
002 NO OTHER ONE Bluebonnet 116/ HBR-025
1947 Sellers Co. Studio, 2102 Jackson St., Dallas, TX – Dick Dyson and The Blue Bonnet Boys
003 SALTY DOG BLUES Bluebonnet 118 Modern 20-535/ HBR-025
004 HAL BILLY BOOGIE Bluebonnet 118 Modern 20-535/ HBR-025
1947 Sellers Co. Studio, 2102 Jackson St., Dallas, TX – Dick Dyson
005 WAITED TOO LONG BLUES Bluebonnet 126/ HBR-025
006 MARY QUITE CONTRARY Bluebonnet 126/ HBR-025
1947 or 1948 poss. Dallas, TX – Dick Dyson
007 TIME AFTER TIME Bullet 673/HBR 025
008 YOU'D BETTER CHANGE Bullet 673/HBR 025
1948 Dallas, TX – Dick Dyson and His Texas Cowhands (Johnny Pearson [vcl-1])
009 N-3003 YOU’D BETTER CHANGE THE WAY YOU DO Tri-State 102/HBR 025
010 N-3004 LEAVE MARRIED WOMEN ALONE Tri-State 102/HBR 025
011 N-3005 POOR PA Tri-State 104
012 N-3006 YES, WE HAVE NO BANANAS -1 104
1948 Dallas, TX – Dick Dyson and His Musical Texans (Johnny Pearson [vcl-1])
013 N-3007 CINDY Tri-State 103/HBR 025
014 N-3008 SQUARE DANCE MELODY –instr.- Tri-State 103/HBR 025
015 N-3009 LOOKING FOR A GAL LIKE MY MA 105/HBR 025
016 N-3010 WARMED OVER COFFEE AND WOKE UP KISSES -1 105/HBR 025
1948 Dallas, TX – Dick Dyson and His Musical Texans (Johnny Pearson [vcl-1])
017 N-3013 DON’T CRY AFTER I’M GONE -1 107/HBR 025
018 N-3014 IT’S A SHAME -1 107/HBR 025
019 N-3015 ONE LIFE, ONE LOVE -1 108/HBR 025
020 N-3016 BLUE BONNET WALTZ -1 108/HBR 025
1948 Dallas, TX – Dick Dyson and His Musical Texans (Uncle Hank [calls-1])
021 N-3019 BETTY BROWN –instr.- 110/HBR 025
022 N-3020 TUGBOAT -1 110/HBR 025
1948 Dallas, TX – Dick Dyson and His Musical Texans (Dick Dyson [vcl-1], Paul Blunt [vcl-2])
023 N-3025 COCAINE BLUES -2 Tri-State 113 Coast 113/HBR-025
024 N-3026 HELL’S FIRE -1 Tri-State 113 Coast 113
1948 Dallas, TX – Dick Dyson and His Musical Texans (Paul Blunt and trio [vcl])
025 N-3033 ONE HAS MY NAME (THE OTHER HAS MY HEART) 116/HBR 025
026 N-3034 TIRED OF ME 116/HBR 025
1948 Dallas, TX – Dick Dyson and His Musical Texans (Paul Blant and trio [vcl])
027 WHEN YOU WORE A TULIP (AND I WORE A ROSE) 117
028 MY SHINING STAR 117
11 December 1953 Jim Beck Studio, 1101 Ross Ave., Dallas, TX - Dick Dyson
029 85621/DA 1001 TEN YARD COTTON SACK unissued
030 85622/DA 1002 PURPLE WINE AND RED RED ROSE Decca 9-29072/HBR 025
031 85623/DA 1003 DRINK MY BLUES AWAY unissued
032 85624/DA 1004 I WORK IN THE DAYTIME 9-29072/HBR 025

ALBUMS
 Hillbilly Researcher [UK] HBR CD #025 Dick Dyson: No Other Love; It’s A Shame; Salty Dog Blues; Hal Billy Boogie; Mary Quite Contrary; Waited Too Long Blues; You’d Better Change; Time After Time; You’d Better Change The Way You Do; Leave Married Women Alone; Cindy; Square Dance Melody; Looking For A Gal Like My Ma; Warmed Over Coffee And Woke Up Kisses; Don’t Cry After I’m Gone; It’s A Shame; One Life, One Love; Blue Bonnet Waltz; Betty Brown; Tugboat; Cocaine Blues; Tired Of Me; One Has My Name (The Other Has My Heart); Purple Wine And Red Red Roses; Work In The Daytime – 0?

SINGLES
Bluebonnet (1947)
116 No Other One / It’s A Shame - 47 (vcl by Johnnie Pearson)
118 Salty Dog Blues / Hal Billy Boogie - 47 (reissued on Modern 20-535)
126 Waited Too Long Blues / Mary Quite Contrary – 47
Bullet
673 Time After Time / You’d Better Change – 03-49 (rev. Apr. 2)
Tri-State (1948
102 You’d Better Change The Way You Do / Leave Married Women Alone – 48
103 Cindy / Square Dance Melody - 48 (adv. August 21)
104 Poor Pa / Yes, We Have No Bananas (vcl Johnny Pearson) - 48
105 Looking For A Gal Like My Ma / Warmed Over Coffee And Woke Up Kisses - 48 (vcl by Johnny Pearson)
107 Don’t Cry After I’m Gone / It’s A Shame - 48 (vcl by Johnny Pearson)
108 One Life, One Love / Blue Bonnet Waltz (vocal Paul Blunt and Trio) - 48
110 Betty Brown / Tugboat - 48
113 Cocaine Blues (vcl Paul Blunt) / Hell’s Fire – 48 (adv. August 21; also as Coast 113)
116 One Has My Name (The Other Has My Heart) / Tired Of Me - 48
117 When You Wore A Tulip (And I Wore A Rose) / My Shining Star - 48
Decca (1954)
9-29072 I Work In The Daytime / Purple Wine And Red, Red Roses – 04-54 (rev. April 17)


Acknowledgements

Thanks to Michel Ruppli, not only for his books which I use daily, but also for a large amount of rare and unpublished data from his giant archive.
Thanks to all my friends - country music fans - in Czech Republic - Vladimir Pikora, Michal Gololobov, Milos Holecek, Tony Foglar, Rene Pavlik and Petr Vitous.
Thanks to Mario Manciotti for sending session details daily
Thanks to Kurt Rokitta for a lot of session info
Thanks to Bill Daniels for sharing a lot of labels info
Thanks to Lillies Ohlsson for many western swing contributions.
Thanks to Dick Grant for many artists files
Thanks to Thieu Van De Vorst for a lot of additions and corrections
Thanks to Goran Adolph for many rare albums info
Thanks to Hans Sandberg for many rare session data
Thanks to Chris Huskey for many sessions info.
Thanks to Kittra Moore for musicians and recording data
Thanks to Dik de Heer for many additions on rockabilly.
Thanks to Luiz Roberto Costa for helping me with the western genre.
Thanks to Wolf Ruediger Sommer, who not only sent me additional data, but is also watch-dog, correcting my typos and other errors.
Thanks to Robert Platt for priceless info on Canadian (but not only) artists.
Thanks to Phil Watson for hard work on Crown Prince of country music discography. Thanks to Walter Gabriel for filling the gaps in track listings of rare albums and various artists compilations.
Thanks to Kent Heineman for many independent recordings info
Thanks to Ken Nelson for bluegrass and more additions.
Thanks to Tony Middleton for RCA session info.
Thanks to Xavier Maire for interesting additions and for info on his website www.bopping.org.
Thanks to Henk Scholts for long time cooperation.
Thanks to Richard Price for miscellaneous session information
Thanks to Carl G. Cederblad for additions to sessionographies
Thanks to Paul Urbahns, Marc Alesina, Bill Millet, Bengt Wahlström, John Morris, Dominique Anglares, Pierre Monnery, Jeremy Roberts, Ben Collins, Alex Frazer-Harrison, K.F.Raizor, Ed Tabor, Mario Wildner, Ole Skjoldhøj, Eileen Sisk, Per Kammersgaard, David Bussey, Bill Marks for rare info on their favorite artists.
Thanks to Reginald Bartlette for info and additions of Columbia custom numbers.
Thanks to Katarina Fromm for various singles info.
Thanks to many others who sent some info - all are important.
Thanks to Richard Weize for his idea to produce projects, which have small commercial potential, but huge value for collectors - I spend a lot of money buying boxes and CDs, sometimes mainly because of the accompanying discographies.
Thanks also to Patrick Milligan, who created many discographies for Bear Family projects
Thanks to Marek Bozickovic for picture in head
And last but not least I would like to thank all who visit this blog - they come from more than 100 countries.